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The only bit of backstory we get in the script’s first act comes during a phone call. Nancy is also much more of a mystery, with no backstory revealed in her introductory truck ride scene. Nancy (played in the film by Blake Lively) experiences fewer nights stranded in the early script, and there is no epilogue one year later. In The Deep, as it was known two years ago, takes place over a slightly shorter period. If this previous draft had been brought to the screen unchanged, we would’ve seen a more challenging and skeletal film. The second biggest change is that the final film, though relatively light on exposition, is much more fleshed out than the early script. The script’s darkness also manifests itself in creepy hallucinations and dream sequences, some of which are very weird and metaphorical. It’s obvious from the first pages of In The Deep that it was written to be R-rated.
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Instead, he finds the remains of “at least three” bodies and a woman’s severed leg. Carlos’ young son walks on the beach, but he doesn’t find a GoPro.
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The script opens with a montage of shark attack survivor interviews, then transitions to an opening that is similar to the film’s opening. The single biggest change is that the original script’s tone is much darker than The Shallows. Let’s get into it, but BEWARE OF SPOILERS. But the script still had a long way to go before production, and many changes were made on its path to the screen. It’s a damn good script: tight, but full of atmosphere and evocative language. In September of 2014, Jaswinski’s spec script was bought by Sony and fast-tracked for production. The Annual Blacklist compiles the year’s best unproduced screenplays, based on recommendations from over 600 production company and film financier executives. (Which, incidentally, is now the title of an upcoming shark movie starring Mandy Moore.) In The Deep won some acclaim the year of its completion when it ended up on 2014’s Annual Blacklist. Back when Jaswinski first completed it, the script was called In The Deep. The sole credited screenwriter, Anthony Jaswinski, wrote the screenplay “on spec,” which means the whole project started with him. It’s a good sign that shark cinema might still be swimming, not sinking.īut the film we saw that weekend underwent some surprising changes during its development. The Shallows isn’t a runaway hit, but audiences seem to be enjoying it. It was the most critically praised film to be released that weekend, and it made decent money. This rescheduling was a relatively last-minute decision, but it worked in the film’s favor. The film was originally slated for the following Wednesday. On Friday, June 24, The Shallows was pushed up to compete with Independence Day: Resurgence.